Jeremy Scott never shies far from a reference. His Pre-Fall womenswear collection for Moschino was crammed with the hard work of Carlo Mollino, the Italian architect and photographer whose Polaroids made a good way onto Scott’s dresses and overcoats. Wearable art tend to make for exciting fashion, as well as on the rear of Frances Bean Cobain, Scott’s unique creations came to life. Stepping out last night in the Daily Front Row’s Fashion Awards in Los Angeles, Cobain wore a series of pieces that highlighted Mollino’s oeuvre. Both her olive trench and gauzy transparent dress were covered inside the artist’s erotic portraits, and Cobain brought images that were hidden throughout the Mollino’s lifetime (his Polaroids were released only after his death in 1973 ) into the foremost visible place imaginable : the red carpet.
An accomplished visual artist herself, Cobain brought a private touch to the design. Taking to Instagram post-event to congratulate Scott on his big win from the night, she termed it the “psychedelic sea witch meets fräulein Maria ensemble, ” aptly summing in the outfit’s appeal. Together with her bright pink waves, fish bone necklace, and glossy high boots, she wore each piece with rebellious flair—exactly the way in which Scott intended.
An accomplished visual artist herself, Cobain brought a private touch to the design. Taking to Instagram post-event to congratulate Scott on his big win from the night, she termed it the “psychedelic sea witch meets fräulein Maria ensemble, ” aptly summing in the outfit’s appeal. Together with her bright pink waves, fish bone necklace, and glossy high boots, she wore each piece with rebellious flair—exactly the way in which Scott intended.
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